Get all 191 FANCYMUSIC releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Нонсенсорики Дримса, Requiem, String Quartet Series: Alexander Khubeev, bach: recomposed, States, Bramputapsel #1. Sun.Disk.Minotaurus, Clay. Thirteen Contemplations on Matter, The Last Alchemist, and 183 more.
FANCYMUSIC Moscow, Russia
FANCYMUSIC is a record label focused on contemporary new music recordings. FANCYMUSIC is a broad platform for a wide variety of contemporary new music composed by different russian musicians. FANCYMUSIC is also a platform on which newer names may be encountered. ... more
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When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-52
by Canary Records
supported by 5 fans who also own “Стой где стоишь”
I have loved the dixie Humming birds since the 1960s, but have never heard their early work--amazing. Listening to all this wonderous harmony and spirit comes close to restoring my lost faith in Christianity.
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J.S. Bach: The Art of the Fugue (Kunst der Fuge), BWV 1080
by Kimiko Ishizaka
supported by 5 fans who also own “Стой где стоишь”
Stunning perfection in execution, as was J.S. Bach in composition.
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Cuneiform Turns 30: The Albums of 2014
by Cuneiform Records
supported by 5 fans who also own “Стой где стоишь”
A good mix of fine songs from some of the strangest artists.
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Scatter My Ashes
by Octet Ensemble and William Susman
“Scatter My Ashes” exists at a crossroads between multiple styles, but emerges with something rich, textural, ambient, and riveting.
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A cycle of 9 duets, “Isolario” is by turns intricate, sparse, mysterious, and moving.
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Julius Eastman Vol. 3: If You're So Smart, Why Aren't You Rich?
by Wild Up
The Los Angeles ensemble celebrate the late composer's impact in this new collection.
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I Am Servant of Your Voice: March 1917 - June 1918
by Zabelle Panosian
supported by 5 fans who also own “Стой где стоишь”
She really served with that one! I'm sorry I had to. In reality Groung is my contender for the best song and performance in history of music.
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